Anthony Holborne’s Galliard, The Fairie-round, is quite famous. Each part is not too challenging by itself, but fitting them together can be tricky. This is because some bars feel in three and some in two but not all parts do so at the same time. I have broken some of the original notations down. The dotted lines indicate where the original slurs are; for practice purposes, you might start by tonguing each note. A drum beat indicates the downbeat of each bar.
The audio playback starts with four beats, covering two preparatory bars.